{"id":2654,"date":"2015-10-30T14:17:09","date_gmt":"2015-10-30T19:17:09","guid":{"rendered":"https:\/\/10ave.com\/2015\/10\/frle-processus-de-creation-de-nelly-et-simon-mission-yeti\/"},"modified":"2021-07-05T10:23:46","modified_gmt":"2021-07-05T15:23:46","slug":"le-processus-de-creation-de-nelly-simon-mission-yeti","status":"publish","type":"post","link":"https:\/\/10ave.com\/en\/2015\/10\/le-processus-de-creation-de-nelly-simon-mission-yeti\/","title":{"rendered":"Le processus de cr\u00e9ation de Nelly et Simon : Mission Y\u00e9ti"},"content":{"rendered":"

Les journalistes sont tr\u00e8s rarement invit\u00e9s \u00e0 visiter un plateau d’un film d’animation, g\u00e9n\u00e9ralement, le distributeur enverra simplement une capsule. Cette fois, profitant du Cartoon Connection, quelques journalistes ont pu d\u00e9couvrir les premi\u00e8res images du film d’animation \u00abNelly et Simon: Mission Y\u00e9ti\u00bb, sc\u00e9naris\u00e9 par Pierre Greco et Andr\u00e9 Morency, r\u00e9alis\u00e9 par Pierre Greco et Nancy Florence Savard, une Production 10 Ave distribu\u00e9e par Les Films S\u00e9ville \/ eOne. Contrairement \u00e0 un film classique, le tournage d’un film d’animation prend beaucoup plus de temps, deux ans, voire plus, et de main-d’oeuvre. Dans la plus pure tradition de la bo\u00eete de production, une vaste recherche a \u00e9t\u00e9 faite en pr\u00e9production. R\u00e9unis autour des deux r\u00e9alisateurs, nous avons aussi rencontr\u00e9 Philippe Arseneau Bussi\u00e8res, directeur artistique, et Steven Majory, directeur de l’animation chez Volta.<\/h4>\n

\"\"

\u00abMission Y\u00e9ti\u00bb se d\u00e9roule en 1955, \u00e0 Qu\u00e9bec et dans l’Himalaya, o\u00f9 l’\u00e9quipe est all\u00e9e faire des rep\u00e9rages l’\u00e9t\u00e9 dernier. Simon, un anthropologue estime que, entre le singe et l’homme, il y a n\u00e9cessairement eu le y\u00e9ti. Accompagn\u00e9 de Nelly, une apprentie alpiniste, pilote, ou \u00abapprentie toute\u00bb, selon l’expression de Pierre Greco, il part au N\u00e9pal, sur les traces de Edmund Hillary et son sherpa Tensing Norgay, les premiers hommes \u00e0 gravir l’Everest. Un voyage de trois mois qui les emm\u00e8nera dans diverses aventures. Pour le personnage de Nelly, le r\u00e9alisateur s’est inspir\u00e9 de Katharine Hepburn dans des films comme \u00abAfrican Queen\u00bb, mais aussi d’une amie de sa famille. \u00abJ’ai pens\u00e9 aux explorateurs George Mallory et Andrew Irvine, qui ont disparu en 1924 pendant une ascension et dont on ne sait toujours pas s’ils sont arriv\u00e9s au sommet, mais aussi \u00e0 Hillary, qui avait dit que l’Himalaya devenait la plus haute poubelle du monde\u00bb, explique Pierre Greco.<\/p>\n

Philippe Arseneau Bussi\u00e8res conna\u00eet la m\u00e9thode Productions 10e Ave\u00a0pour avoir travaill\u00e9 sur \u00abLa l\u00e9gende de Sarila\u00bb. Au d\u00e9but d’un projet, explique-t-il, il dessine beaucoup d’images, afin de trouver les personnages imagin\u00e9s par les sc\u00e9naristes, la palette de couleur et le type d’histoire (comique ou dramatique?). Il s’est promen\u00e9 dans le Vieux-Qu\u00e9bec, pour s’inspirer de ses maisons. \u00abJe savais ce que je voulais, mais je voulais trouver le meilleur point de vue, note-t-il. Au d\u00e9part, il n’est pas n\u00e9cessaire d’aller tr\u00e8s loin dans le rendu.\u00bb \u00abLa beaut\u00e9 de Philippe est que chaque film soit une oeuvre d’artiste, il poss\u00e8de un trait tr\u00e8s particulier et une palette de couleur, pr\u00e9cise Nancy Florence Savart. Il travaille de fa\u00e7on \u00e0 ce qu’on ne sente pas la machine. L’ordinateur devient \u00e0 notre service et non l’inverse. Chaque lieu demande une pr\u00e9cision et une recherche pour finalement trouver la palette visuelle.\u00bb Une fois cette \u00e9tape termin\u00e9e, le projet part chez Volta, entre les mains de Steven Majory et son \u00e9quipe. Ensuite commencent le modelage, puis le squelettage (rigging).<\/p>\n

\u00abNelly et Simon: Mission Y\u00e9ti\u00bb comptera une soixantaine de personnages, dont 30 plus pr\u00e9cis, cr\u00e9\u00e9s \u00e0 partir d’un squelette. Comme l’explique la productrice, chaque personnage d\u00e9fini co\u00fbte de 35 000 \u00e0 45 000$. Il faut donc param\u00e9trer le nombre de personnages, de d\u00e9cors et d’accessoires. \u00abTout se trouve dans les d\u00e9tails, par exemple, pour une sc\u00e8ne dans une barque, il fallait voir si trois personnes pouvaient y prendre place, souligne-t-elle. D’autant plus que Philippe ne voulait pas d’un bateau qu’on ait d\u00e9j\u00e0 vu.\u00bb Par contre, Nancy Florence Savard tenait absolument \u00e0 avoir un oiseau actif, elle s’est battue pour Jasmin, le mainate (sorte d’oiseau capable d’imiter la voix humaine). Pour donner vie \u00e0 cet oiseau, le directeur artistique a travaill\u00e9 avec de la p\u00e2te \u00e0 modeler. \u00ab\u00c0 partir de l\u00e0, nous avons pu interpr\u00e9ter la forme du mainate\u00bb, ajoute Steven Majory.<\/p>\n

Jusqu’aux F\u00eates, l’\u00e9quipe continuera de cr\u00e9er les personnages, les lieux et les d\u00e9cors. Ensuite, les s\u00e9quences seront mises bout \u00e0 bout, donnant une bonne id\u00e9e de ce que le film sera. Au mois de mars, l’animation d\u00e9butera. Il n’a pas \u00e9t\u00e9 possible de voir les deux h\u00e9ros du film, car ils ne sont pas encore compl\u00e9t\u00e9s. Le budget tourne autour de 5 \u00e0 6 millions$. Le distributeur n’a pas encore d\u00e9cid\u00e9 de la date de sortie de \u00abNelly et Simon: Mission Y\u00e9ti\u00bb, regardant la fen\u00eatre de d\u00e9cembre 2017 et P\u00e2ques 2018. \u00abNous devons livrer au distributeur international fin 2017 pour la ronde internationale avant la sortie canadienne\u00bb, commente la productrice, qui souligne que le cin\u00e9ma d’animation d’ici s’av\u00e8re une belle carte postale pour le Qu\u00e9bec. Ainsi, \u00abLe Coq de St-Victor\u00bb a \u00e9t\u00e9 vendu dans plus de 43 pays, avec tout ce que cela comprend en campagne de promotion de la part des distributeurs, et sur plusieurs plateformes.<\/p>\n

\"\"

 <\/p>\n

 <\/p>\n

Article r\u00e9dig\u00e9 par\u00a0Sophie Bernard<\/strong><\/p>\n

http:\/\/www.qfq.com\/recherche&srch=NeLLY&srch=eT&srch=SiMoN&region=Canada&pos=34<\/a><\/p>\n

Enregistrer<\/span>Enregistrer<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Les journalistes sont tr\u00e8s rarement invit\u00e9s \u00e0 visiter un plateau d’un film d’animation, g\u00e9n\u00e9ralement, le distributeur enverra simplement une capsule. Cette fois, profitant du Cartoon Connection, quelques journalistes ont pu d\u00e9couvrir les premi\u00e8res images du film d’animation \u00abNelly et Simon: Mission Y\u00e9ti\u00bb, sc\u00e9naris\u00e9 par Pierre Greco et Andr\u00e9 Morency, r\u00e9alis\u00e9 par Pierre Greco et Nancy […]<\/p>\n","protected":false},"author":11,"featured_media":3808,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[110,111,115,116,117],"class_list":["post-2654","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-animation","tag-mission-en","tag-yeti-en","tag-qui-fait-quoi-en","tag-nelly-en","tag-simon-en"],"acf":[],"yoast_head":"\nLe processus de cr\u00e9ation de Nelly et Simon : Mission Y\u00e9ti | 10th Ave | Productions | Animation | Commercialisation<\/title>\n<meta name=\"description\" content=\"Communiqu\u00e9s, articles, rubriques et br\u00e8ves qui abordent 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